We are delighted to announce that ACE was ratified as a new full member on 11.06.2017 at the 2017 EWC Annual General Assembly held in Barcelona.
The Asociación Colegial de Escritores - ACE was constituted in 1977 in Madrid, Spain.
ACE has three autonomous organisations:
—ACE Traductores (Book Translators’ Association)
—AAT Asociación de Autores de Teatro (Spanish Playwrights’ Association)
—ACE Andalucía (Andalusian Writers’ Association).
ACE has approximately two thousand members all over Spain, the European Union, and Latin-America, constituted by authors writing in Spanish.
For more information: http://acescritores.com/
Over 80 attendees took part in a Seminar on the Copyright Reform organised by EWC, FEP and IFRRO on 2 February at the European Parliament. The event was co-hosted by MEP Therese Comodini-Cachia and MEP Jean-Marie Cavada, rapporteur and shadow rapporteur respectively for the proposal for a Directive on copyright.
When delivering his welcome speech, MEP Cavada highlighted that the technological revolution has led to a new digital era that lives too often at the expense of creativity. He added that there was a need to better protect the use of creative works, which embody the human spirit, and to not only leave it to those who provide the “pipes” connecting content with users to make profit out of it. The introduction remarks on the proposed directive on copyright were delivered by Mr Marco Giorello, Deputy Head of the Copyright Unit at the European Commission.
There were two round tables, showing how solutions to giving easy access to works are being enabled by Reproduction Rights Organisations (RROs) for education and the making available and digitisation of cultural heritage. Two examples of successful library digitisation projects were presented by representatives of the German National Library and the Norwegian National library, that have reached licensing agreements with VG Wort and Kopinor and run extensive digitisation projects. On education licensing, the perspectives from the authors, publishers and RROs were presented, with experiences from France, the United Kingdom, and from Finland by former EWC President, professor Pirjo Hiidenmaa,
In her closing remarks, MEP Therese Comodini-Cachia underlined that over the last months stakeholders have expressed their positions on the copyright reform and these have often proven to be quite polarised. She concluded that it was now up to the legislators to find a balanced approach, and she welcomed stakeholders who have come forward with solutions, while adding that she saw no reason why copyright should not work in the digital world as it does in the analogue.
Source: IFRRO News Volume 19 Number 01 – February 2017
We have some important changes in the Board of the European Writers' Council made effective at our Annual General Assembly held on 27 and 28 November 2016 in Brussels.
We are very sorry that Mr. Nick Yapp (UK) has stepped down as President due to health reasons. We want to thank him for all the work done since he was elected in June 2015, and also also during the period (2013-2015) when he was a regular board member. We wish him the best.
Consequently, the EWC presidency was handed over to Ms. Malin Koch (Legal Counsel of the Swedish Writers’ Union), who was elected First Vice-President in June 2015, and who will be functioning as EWC’s President until the next elections, to be held in June 2017.
Moreover, the assembly welcomed Ms. Janne Rijkers (the Writers' Guild of the Netherlands to be re-named 'De Auteursbond’ from 01.01.2017) as a new regular board member.
Ms. Gerlinde Schermer-Rauwolf (Germany) continues as Vice-President, while Mr. Tiit Aleksejev (Estonia), Ms. Ružica Cindori (Croatia), and Ms. Tittamari Marttinen (Finland) continue their term as regular board members.
More details on each board member on our Board page.
ECSA, EFJ, EWC, FERA and FSE Press Release 14/09/2016
The European Commission presented on 14 September its proposal for a Directive on copyright in the Digital Single Market. The Authors’ Group* – representing more than 500 000 authors, including writers, literary translators, composers, songwriters, journalists, photographers, film/TV directors and screenwriters in Europe – welcomes the directive, in particular the proposal to address the key issue of creators’ weak bargaining position in their contractual relationships and fair remuneration in contracts.
The Authors’ Group supports the European Commission’s commitment to address problems related to the forced transfer of rights of authors to publishers, producers and broadcasters. Achieving a well-functioning market-place for copyright must start with establishing a system that allows fair contractual practices for authors and performers, who are affected by a weak bargaining position when assigning their rights to publishers, producers and broadcasters.
The introduction of a mandatory reporting obligation detailing the revenues generated and remuneration due will create more transparency and is a prerequisite for authors and performers to adjust unfair contractual agreements. These new provisions will constitute, together with a dispute resolution mechanism, an indispensable first step in order to create more sustainable conditions for Europe’s creators, who are the origin of Europe’s cultural and creative industries. However, authors need further mechanisms against unfair copyright contracts and the undersigning organizations are looking forward to working with the European Parliament and Council in this respect.
The Authors’ Group also welcomes the provisions of the directive clarifying the liability of online platforms but considers that substantial work remains to be done with regards to proportionate remuneration of authors, particularly for the online exploitation of their works.
The Members of the Authors’ Group are ECSA (European Composer & Songwriter Alliance), EFJ (European Federation of Journalists), EWC (European Writers’ Council), FERA (Federation of Film Directors in Europe) and FSE (Federation of Screenwriters Europe).
The European Commission has proposed two directives and two regulations to adapt the EU copyright rules to the realities of the Digital Single Market:
—Proposal for a Directive of the European Parliament and of the Council on copyright in the Digital Single Market - COM(2016)593
—Proposal for a Regulation of the European Parliament and of the Council laying down rules on the exercise of copyright and related rights applicable to certain online transmissions of broadcasting organisations and retransmissions of television and radio programmes - COM(2016)594
The Directive on copyright in the Digital Single Market is available on the EC website:
Impact Assessment Part 1, Part 2 and Part 3
Impact assessment – Executive Summary
The regulation and related documents are available here:
—The Marrakesh treaty for people with print disabilities will be implemented in EU law via a Directive and a Regulation:
Proposal for a Directive of the European Parliament and of the Council on certain permitted uses of works and other subject-matter protected by copyright and related rights for the benefit of persons who are blind, visually impaired or otherwise print disabled and amending Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society - COM(2016)596
Proposal for a Regulation of the European Parliament and of the Council on the cross-border exchange between the Union and third countries of accessible format copies of certain works and other subject-matter protected by copyright and related rights for the benefit of persons who are blind, visually impaired or otherwise print disabled - COM(2016)595
The proposals will be discussed by the European Parliament and the European Council in the next stages of the EU legislative process.
At its Plenary Session of 7-8 April 2016, the Committee of the Regions adopted an Opinion on the "Modernisation of EU copyright rules". The rapporteur for this opinion was Arnoldas Abramavicius (LT/EPP), Member of Zarasai District Municipal Council.
As part of their preliminary analysis, on 19 January 2016, the CoR held a hearing with invited stakeholders, who answered many questions on different aspects of the EC Communication published in December 2015: “Towards a modern, more European copyright framework COM(2015) 626 – final”
The authors’ associations selected for the hearing were: EWC, EFJ, and ECSA. Additional organisations included consumer representatives, CMOs, SMEs’, Media companies, publishers, booksellers, cultural heritage institutions (libraries), and the Young Pirates.
The full text of the opinion will shortly be available in all EU language versions on the CoR.europa.eu website.
Published on 25/03/2015
"Digital technology is part of everyday life. From watching films, buying or selling online to connecting with friends – the internet is a goldmine of opportunities. But EU people and companies run into many barriers, such as geo-blocking or cross-border parcel delivery inefficiencies."
The Juncker Commission has made it a priority to remove these obstacles and create a Digital Single Market. The College of Commissioners had a first discussion on the Digital Single Market Strategy due in May.
Based on the work of Vice-President Ansip and his team, the College set out three main areas on which Commission action will focus during this mandate:
1. Better access for consumers and businesses to digital goods and services;
2. Shaping the environment for digital networks and services to flourish;
3. Creating a European Digital Economy and Society with long-term growth potential.
The above includes the following priority:
· “Modernising law to ensure the right balance between the interests of creators and those of users or consumers. It will improve people's access to culture – and therefore support cultural diversity – while opening new opportunities for artists and content creators and ensuring a better enforcement of rights.”
To read the full text:
This Authors’ Rights event was held at the European Parliament (Brussels) on 3.11.2014.
“The Value of Writers’ Works” was an evidence-based forum addressing the challenges that concern European authors in the text and book sector in all genres, including screen-writers and literary translators. The threefold thematic platform gave the opportunity to professional writers to discuss their perspectives; it also aimed at calling the attention of the Members of the European Parliament to follow-up from the study on copyright contract law and contractual practices requested by the European Parliament Legal Affairs Committee (JURI); it was important also to receive an update on recent and forthcoming studies by the European Commission. The interconnection between the digital and its effects on the authors’ remuneration and compensation was at the crossroads of several topics.” Myriam Diocaretz, from the editor’s introduction.
The PDF is available in our Publications page.