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European creators call for an ambitious and faithful implementation of the Copyright Directive on national level at ECSA’s Creators Conference

4th February 2020

Creators, EU policy makers and stakeholders gathered in Brussels to discuss present and future policies affecting european creators’ lives.

On 3rd February 2020, the Creators Conference 2020, held under the patronage of the European Parliament, took place at the Vaudeville Theater in Brussels. Organised by the European Composer and Songwriter Alliance, the event welcomed 150 participants for panel discussions around the most pressing policy issues concerning European creators nowadays.

ECSA President Alfons Karabuda started the conference by thanking the European institutions on adopting the Copyright Directive. “Europe made a promise and it delivered.” Then Viviane Hoffmann, Deputy Director General of the DG Education, Youth, Sport and Culture of the European Commission, who substituted Mariya Gabriel, Commissioner for Innovation, Research, Culture, Education and Youth as keynote speaker of the conference, opened the discussions by outlining the plans of the Commission for supporting the music sector.

Introducing the first panel entitled “Europe’s strategies for the creative and cultural sectors”, the CEO of SACEM Jean-Noël Tronc stressed the need for a swift adoption of the Copyright Directive at national level to guarantee the right protection for creators against the big online platforms.

During the panel, Niklas Nienass, member of the Greens, highlighted the underlying problem that “creators are at the very origin of the economic strength of the cultural and creative sectors, yet their contribution is still undervalued both politically and economically.” MEP Tomasz Frankowski added:” Together with my colleagues at the EP, I will do my utmost to defend an ambitious budget dedicated to the Creative Europe programme 2021-2027 as I believe that European culture is the best vehicle to promote European values and European integration.” Barbara Gessler, Head of Unit for Creative Europe at the EC, explained that the objective of Music Moves Europe is to make European talent visible to the European citizens.

Before the second panel, Alfons Karabuda discussed with the representative of IBM Nordic Lars Wiigh about AI’s contribution to creativity. According to Wiigh:” The people who develop AI are like composers: creative, innovative and curious. I believe in the collaboration between the human brain and the vast potential of AI”.

The topic of the second panel focused on the implementation of the EU Copyright Directive focusing on the provision of the liability of online content sharing service providers. Marco Giorello, Head of Copyright Unit at the European Commission, explained that most of the Member States are in a preliminary phase for the implementation of the Directive, but he also highlighted how “we should be proud of what we have done. Our goal was bringing more fairness into the copyright environment and we did it.”

The last panel discussed buy-out contracts in the music and audiovisual sector. Durand-Vialle, CEO of FERA stated: “Buy-out contracts have a negative impact on freelance authors to build sustainable careers and develop new projects. Authors take significant risk in creating new works: they should therefore be entitled to share in their economic success.” Iban Garcia del Blanco, Member of the S&D, added to this: “All EU Member States should now engage in an ambitious and faithful implementation of the Copyright Directive to improve the remuneration situation for authors”.

The Creators Conference 2020 was co-funded by the Creative Europe Programme of the European Union and supported by NOPA, GEMA, SACEM, STIM, PRS, ZAIKS, BUMA, Finnish Music Creators’ Association, the Society of Finnish Composers, TEOSTO, MPA Finland and Sabam.

***

 The European Composer and Songwriter Alliance (ECSA) represents over 30,000 professional composers and songwriters in 28 European countries. With more than 60 members organisations across Europe, the Alliance speaks for the interests of music creators of art & classical music (contemporary), film & audiovisual music, as well as popular music.

ECSA is, together with EWC, FERA and FSE part of the Authors’ Group. Learn more: http://europeanwriterscouncil.eu/alliances/

Read and share the press release:
http://composeralliance.org/

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Retweet on Twitter European Writers' Council Retweeted
eyshans Eystein Hanssen 🏴‍☠️ @eyshans ·
2 Feb

@FreeAllWords publiserer oversatte tekster fra ukrainske og belarusiske forfattere. Prosjektet er i regi av @CouncilWriters, med bidrag fra bla. @FrittOrd, @Kopinor og @Forfatterforb. Sjekk ut ...hjemmesiden her: https://freeallwords.org

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cultcreatorseu Cultural Creators Friendship Group 🇪🇺 @cultcreatorseu ·
1 Feb

In 2022, our #CCFG (co-)hosted or officially supported 7 public events, including with these partners: @le_CNM @MinistereCC @regiongrandest @saabrussels @SportsGroup2024 @Liveurope @ABconcerts ...@Creators_ECSA @Film_directors @CouncilWriters @ScreenwritersEU @EVisual_Artists.

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agstrait Andrew Strait agstrait@someone.elses.computer @agstrait ·
20 Jan

There are also the impacts these systems are having on small rights holders, whose data is often used without their consent, attribution, or compensation. Hence the lawsuits against Midjourney by ...artists, and against OpenAI/Microsoft/Github by coders

https://twitter.com/neilturkewitz/status/1614316534750654465

neil turkewitz @neilturkewitz

NEWS ALERT…

Class action lawsuit filed against Midjourney, StabilityAI (StableDiffusion) & DeviantArt for the unauthorized use of copyright protected works to train their AI systems.

...https://stablediffusionlitigation.com/pdf/00201/1-1-stable-diffusion-complaint.pdf

Retweet on Twitter European Writers' Council Retweeted
andrewyang Andrew Yang🧢⬆️🇺🇸 @andrewyang ·
21 Jan

What impact will ChatGPT have on colleges, the workforce and democracy? Monday on http://andrewyang.com/podcast writer for the Atlantic and author of “The Next Civil War: Dispatches from ...America’s Future” @StephenMarche joins to talk where AI is taking us - whether we like it or not.

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pubperspectives PubPerspectives @pubperspectives ·
8 Jan

From the week: Surveying the Profession(s): How Much Do UK Writers Earn? | @Porter_Anderson https://bit.ly/3WDDnT8 @ALCS_UK @Soc_of_Authors @copyrightcentre @UofGlasgow | A new British survey of ...authors warns of falling incomes and faltering sustainability in writing occupations

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iniurheberrecht Initiative Urheberrecht @iniurheberrecht ·
8 Jan

#KI #Hörbuch Death of the narrator? Apple unveils suite of AI-voiced audiobooks | Apple | The Guardian https://www.theguardian.com/technology/2023/jan/04/apple-artificial-intelligence-ai-audiobooks

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