United Kingdom: Writers’ unions call for reform of the ‘hybrid’ / paid-for publishing sector

EWC

Posted on May 06, 2022, 9:33 am
7 mins

EWC Member, The Society of Authors, and the Writers’ Guild of Great Britain publish joint report exposing widespread bad practice among companies that charge writers for publication.

29 April 2022

The Society of Authors (SoA) and the Writers’ Guild of Great Britain (WGGB) have today called for reform of the ‘hybrid’ / paid-for publishing sector. The trade unions, who together represent 14,800 authors, have jointly published Is it a steal? An investigation into ‘hybrid’ / paid-for publishing services to expose widespread bad practice among companies that charge writers to publish their work while taking their rights.

The report, supported by ALCS, is the first full-scale assessment of the relationship between writers and companies who refer to themselves as ‘hybrid’, ‘partnership’ or ‘contributory’ publishers (among other terms) but have much in common with what have historically been described as ‘vanity’ publishers. It details aggressive marketing tactics, manipulative sales approaches, unclear contracts and publishing processes and services that fall far short of expectations and value. The report also includes the findings of a survey which found that 94% of writers who had paid to have their book published, lost money typically in the thousands, paying an average of £2,000 with median royalties coming in at a mere £68.

As one survey respondent said, ‘After four months of unsuccessfully trying to get more support from the company, I gave up trying to contact them. My first royalty statement shows earnings of £30. I see the £2,000 I paid them as lost.’

Another writer paid £2,300 and ‘received the ebook, 25 physical copies, 10 posters, 25 postcards, 100 flyers and 50 bookmarks’ after which, they said, ‘the company washed its hands of me’.

A third survey respondent paid £5,000 for publication and said the process ‘completely destroyed my faith in their ability to produce a book and market it effectively, and the experience has dented my confidence in publishing in general’.

Speaking about the report’s findings, Nicola Solomon, chief executive of the Society of Authors, said:

‘This report shines a spotlight on some concerning practices including questionable marketing tactics, vast costs with no hope of returns, rights grabs and contracts which are, at best, opaque, and, at worst, misleading. There is no one right way for a book to come to market, but as the publishing industry continues to evolve, we need to ensure that authors are not taken advantage of or blindsided by blandishments that don’t translate into contractual obligations and implied guarantees that, very clearly, these companies aren’t honouring.’

The joint report, supported by the Authors’ Licensing and Collecting Society (ALCS), follows a steady rise in SoA and WGGB members seeking advice from their respective unions about ‘hybrid’ / paid-for publishing deals they have been offered. The survey found that the average loss for a writer in a ‘hybrid’ / paid-for publishing deal was £1,861 with some participants reporting losses as high as £9,900. Each deal resulted in a median of just 67 books sold, including those that writers bought themselves, while 59% of writers said their book was not available to buy in bookshops, supermarkets and retail outlets.

‘Fundamentally, what we’re seeing here is a hijacking of the term publisher,’ continues Solomon. ‘These companies are not traditional publishers. They provide a service and should market it as such so as not to mislead authors. We all have a role to play in ensuring people are not exploited by these deals, and that includes being clear in how we define what a publisher is. Trade bodies and advertising platforms have an important role to play here too – they have a responsibility to ensure that paid-for publishers can demonstrate their legitimacy.’

Ellie Peers, general secretary of the WGGB, commented:

‘Digital innovation is opening up new opportunities for authors but we need to ensure this brave new world does not lead to the exploitation and erosion of writers’ rights.

‘Sadly, as our joint report Is it a steal? illustrates, bad practice is entrenched, with authors losing large sums of money, relinquishing their intellectual property and falling prey to misleading marketing and exploitative business models.

‘We have seen an exponential rise in our members seeking help in the paid-for publishing arena and we will be stepping up our campaigning work to educate and protect authors and to call on ‘hybrid’ / paid-for publishers, trade bodies and advertisers to step up, stamp out and stem the tide of this worrying and growing trend.

The writers’ unions are calling for reform of the ‘hybrid’ / paid-for publishing sector based on a three-pronged approach and have already written to many ‘hybrid’ / paid-for publishing services and trade bodies. They call for:

  1. A commitment to 15 key publishing principles, listed in the report, which include clarity about their business models, production and marketing capacity, as well as notifying people who enter paid-for agreements about their consumer rights.
  2. A commitment by other organisations to ensure that companies describing themselves as publishers are just that. Specifically, the SoA and WGGB have called on the Publishers Association and the Independent Publishers Guild to clarify their definition of ‘publisher’ and investigate whether that applies to their membership and how their members can demonstrate an adherence to the 15 principles. They have also called on advertising platforms and media outlets to ensure that publishers advertising with them are doing so in line with the Advertising Standards Authority (ASA) code of conduct and not misleading consumers.
  3. Finally, the unions have committed to raising awareness among writers of their rights when entering a ‘hybrid’ / paid-for publishing agreement, and of the need to have all contracts independently vetted before signing.

Is it a steal?